Part of the method I employ involves a dirty watercolor. And here is the dirty watercolor for the dandelion piece. I used to be so terrified of doing anything to the drawing itself. The drawing itself was sacred. Untouchable.
At some point I realized that I was in love with the drawings.
I was too in love with the drawings. I adored the drawings. I taped them up and looked at them.
But with each piece of tape, the stove top of my mind burned the hotter; in the back of my mind I knew the truth-- they had to die.
I knew I had to kill them.
By my hand I had to kill the drawings.
Release them to the next step in exsistence.
Release them to real textures, not some farcical photoshopy plastic texture-- real, real watercolor.
To me, that is what makes it. And for me, that is why I kill:
The transient drawing must become the dirty watercolor.
That is the way of things. It is what must be.
And it cannot be otherwise.
The transient drawing must become the dirty watercolor.
That is the way of things. It is what must be.
And it cannot be otherwise.
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